MoMA’s digitale kunst kluis
“Just as a VHS tape is useless without a VCR, a digital video file is useless without some kind of software that understands how to interpret and play it, or tell you something about its [Meer…]
“Just as a VHS tape is useless without a VCR, a digital video file is useless without some kind of software that understands how to interpret and play it, or tell you something about its [Meer…]
‘One morning in the summer of 1952, Matisse told his studio assistant and secretary Lydia Delectorskaya that “he wanted to see divers,” so they set out to a favorite pool in Cannes. Suffering under the [Meer…]
Design curator Juliet Kinchin duidt protestgrafiek van Louis Raemaekers. Lees die wiki, buitengewoon bijzonder, na zijn overlijden in 1956 schreef de New York Times onder andere: “Het is gezegd dat Louis Raemaekers de enige privépersoon [Meer…]
“[…]it’s undeniable that a frame can make a huge difference in the way you perceive a work of art. Here, Peter talks about the complex and detailed process of designing a new frame for this [Meer…]
“The work is either a conservator’s nightmare or a conservator’s dream, having every potential problem, from obsolescent exhibition and playback equipment to outdated video technology. Equally important, I was aware of the conceptual challenges linked [Meer…]
T/m 29 april 2013 met z’n allen lekker schreeuwen, facebook en twitter in MoMA. Psy kan wel inpakken. Hyperallergic.com/60500/momas-hilariously-bizarre-silent-screams/
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